精英女性的身份认同危机——试论苏西·米勒的《初步举证》
The Identification Crisis of an Elite Woman: On Prima Facie
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- Keywords: 法律公正; 《初步举证》; 身份认同; 性别偏见
- Abstract: 《初步举证》（PrimaFacie）是澳大利亚剧作家苏西·米勒（SusieMiller）的剧本，因其深刻的主题和交叉的剧情展开方式而备受赞誉。该剧以独角戏的形式表现了一名女律师的性别觉醒，在这一过程中，她遭受了身份认同危机，并发现了法律体系中的性别偏见和漏洞，剧作由此深入探讨了结构性不平等下的性别与权力关系。该剧在情节设置和叙述技巧上，都具有饱满的戏剧张力，能够引起观众的共鸣和反思。
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男性视角下的女性幻影 ——试论电影《茉莉花开》
Female Illusion from Male Perspective —on the Movie Jasmine Women
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- Keywords: The male perspective; "; Jasmine Blossom"; Female destiny; movie男性视角; 《茉莉花开》; 女性命运; 电影
- Abstract: Hou Yong, director of the 2004 film "Jasmine Blossom," which was based on Su Tong's short story "Women's Lives," said he "treats women's lifestyle with positive and concerned attitude." But in fact, the film shows the inherent bias of men towards the fate of women and the mode of antagonism between men and women because of the simplistic treatment of this issue, and does not show the so-called "objective feminist thought". The idealized female character "flower" in the director's mind also shows the limitations of male perspective in understanding women's lives.2004年上映的《茉莉花开》是根据苏童的短篇小说《妇女生活》改编的影片，导演侯咏表示自己是“以积极、关注的态度去对待女性生活方式”。但实际上影片表现出了男性对女性命运的固有偏见以及因为对这一问题的简单化处理而陷入了男女对立的模式，并没有表现出其所谓“客观的女性主义思想”，导演心中理想化的女性角色“花”也展示出男性视角对女性生命理解的局限性。
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