Abstract:
This article takes the Crescent Moon monthly magazine as an example to explore the
variations in modern Chinese cultural ecology, the patterns and characteristics of modern societybased
literary schools from the perspective of “Coterie Journals”, “Coterie Literature”, and “Coterie
Culture”. “Coterie Journals” can be regarded as “Coterie Media”- an independent, autonomous and
folk “collective media” in contrast to highly organized and corporate media. Through the entire thirty
years of modern Chinese literature, “Coterie Journals” have experienced a period of prosperity and
diversification, a decline period with noticeable “semi-coteriezation”, and a stage of development when
their “legitimacy” eventually disappeared. The media operations and dissemination activities of The
Crescent Moon magazine typically reflect the inherent connections and interaction methods between
modern Chinese “Coterie Journals”, the generation of literary schools and literary production.
本文以《新月》月刊为例,从“同人期刊”乃至“同人文学”“同人文化”角度,阐释现代中国文化生态的变异以及现代文学社团流派发生的规律和特点。“同人期刊”可谓之为“同人媒介”——一种与高度组织化、企业化媒介相对而言的,具有自主、自治和民间色彩的“群体性媒介”。就贯穿整个中国现代文学三十年的“同人期刊”来说,经历了繁盛和多元化时期、具有明显的“半同人化”性质的式微时期,以及“合法性”最终消失的阶段性发展。《新月》月刊的媒介运作、传播活动,比较典型地体现了现代中国“同人期刊”与流派生成、文学生产之间的内在联系和互动方式。