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Film,Television and Theatre Review
ISSN Print:2789-0694
ISSN Online:2789-0708
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隐喻·冒犯·宣泄——论电影《周处除三害》的风格美学
Metaphor, Offence and Catharsis: On the Style Aesthetics of The Pig, the Snake and the Pigeon
Film,Television and Theatre Review
/
2024,4(3): 118-124 / 2024-12-09
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Authors:
张若楠
Information:
中南财经政法大学新闻与文化传播学院,武汉
Keywords:
《周处除三害》;隐喻表达;暴力美学;现代寓言
Abstract:
电影《周处除三害》借壳于历史经典,取材于真实人物“冷面杀手”刘焕荣,构建起一个半架空的寓言世界,展现出爽利邪魅的暴力美学风格。该片通过中国古代寓言“周处除三害”隐喻当下的社会选择,强调了人的觉醒和自我裁决的重要性,展现出深刻的隐喻性思辨内容。导演黄精甫以“冒犯性”表达的方式,通过艺术化的暴力场面处理,既强化了视觉冲击力,又规避了极端暴力和血腥感,追求暴力的某种风格化浪漫。此影片不仅延续了黄精甫对暴力美学的推崇,还通过“道德悬置”的影像表达,探讨了深层的伦理和哲学问题,使得影片在商业片和艺术片之间找到了平衡,成为一部具有思辨价值的作品。
DOI:
https://doi.org/10.35534/fttr.0403016
Cite:
张若楠.隐喻·冒犯·宣泄——论电影《周处除三害》的风格美学[J].影视戏剧评论,2024,4(3):118-124.
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