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Research on Art Design
ISSN Print:2789-0716
ISSN Online:2789-0724
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The Decorative Expression and Cultural Significance of the Traditional Mongolian Pattern “Heː Ugɑlʤ”
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Information:
School of Art and Design, Wuhan University of Technology, Wuhan
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Keywords:
Heː Ugɑlʤ; Traditional Mongolian patterns; Decorative functions; Cultural implications
- Abstract: “Heː Ugɑlʤ” stands as a quintessential example of traditional Mongolian decorative patterns. Modeled after the horns of the argali sheep, it has evolved through prolonged stylistic refinement into a visual language characterized by continuous, curving lines and is widely used in the decoration of utensils, clothing, and architecture. This paper systematically examines the intrinsic relationship between the pattern’s compositional form and its decorative functions, and further explores the cultural concepts embedded within the motif. The study reveals that, at a formal level, Heː Ugɑlʤ exhibits three key characteristics: a continuous linear composition of equidistant lines, an outward-to-inward curving form, and an overlapping, layered organizational structure. These correspond to three decorative functions — linear extension, spatial filling, and visual enrichment — thereby forming a closely integrated relationship. The emergence of this formal system is rooted in the Mongolian people’s perception of time and space and their cognitive patterns of nature within their nomadic lifestyle. Specifically, the symmetrical, looping patterns reflect an understanding of spatial order; the cyclical, undulating rhythms echo a grasp of the natural sequence of time; and the multi-layered, nested structures embody the simple concept of the symbiosis of all things and their interconnectedness as a whole. Heː Ugɑlʤ is not merely a decorative language at the visual level; it is also a symbolic vehicle through which the Mongolian people perceive the world, express emotions, and convey ideas.
- DOI: 10.35534/rad.0202007 (registering DOI)
- Cite: Li, S. B. (2026). The Decorative Expression and Cultural Significance of the Traditional Mongolian Pattern “Heː Ugɑlʤ”. Research on Art Design, 2(2), 64−72.
