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声临其境：播客音频节目的“声音景观” 塑造及其功能指向

Be There In The Ear: The Features and Functional Directions of Soundscape on Podcast Audio Program

中国新闻评论 / 2021,2(3)：54-70 / 2021-12-01 392 618

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• 作者： 董雅斓     
• 单位：

  -

• 关键词： 播客音频节目；声音景观；听觉转向；音爆时刻
• Podcasts audio program; Soundscape; Acoustic orientation; Sonic boom
• 摘要： 本文以“声音景观”（Soundscape）这一声学理论为出发点，基于“环境”“噪音”“技术”层面梳理声音景观理论的动态演变，并从声音景观的塑造要素探究播客音频节目中声音景观的功能指向。播客音频市场的蓬勃发展驱动着数字音频节目内容的创新再造，以“播客”（Podcasts）为载体的音频节目通过技术的复制将现场录制的事件进行重新编译，经由“声音漫步交互”的形式生成基于媒介自身的“声音景观”，通过“基调音”“信号音”“标志音”“原型音”等类型声音景观的交互呈现，利用“声音”的频率和幅度双向感知，最终作用于人类听觉，并形成关于“声音物体”“声音事件”的基本认知，帮助听众进行“不在场的在场”连接，从而达到情感共振的“音爆时刻”。
• Based on the acoustic theory of Soundscape, this thesis reviews the evolution from three aspects of “environment”, “noise” and “technology”, and explores the Soundscape’s multi-functional directions in the audio reporting programs of Podcasts, which has reformed the basic patterns of audio programs’ content towards the digital audio market. Generated the way of soundwalking interactions by recording and recoding the sound on the ground, Podcasts audio reporting programs express a new figure contained four features: keynote sounds, signals, soundmarks and archetypal sounds, then they motivate the audience who are not on the scene to capture the being there moment by distinguishing Sound object and Sound Events, thus they could cause sort of an outburst of emotional resonance called sonic boom.
• DOI： https://doi.org/10.35534/cnr.0203006
• 引用： 董雅斓．声临其境：播客音频节目的“声音景观”塑造及其功能指向［J］．中国新闻评论，2021，2（3）：54-70．