Keywords:
Religious ;Semiotics; Myth; Allegorical interpretation; Susan Sontag; The Benefactor; Religion consciousness; Interpretation of potential themes
宗教符号学;神话寓意解经法;苏珊·桑塔格;《恩主》;宗教意识;潜主题解读
Abstract:
Semiotics and witchcraft have increasingly become the key to interpret
the artistic texts related to dreams and fantasies.This is closely related to the
vigorous and in-depth development of semiotics, which is one of the theoretical
movements of literature and art in the world. It is found that the writers with
Judaism tendency especially prefer to design and write stories and narratives
related to religious symbols and their mythical meanings. This is not so much
related to the spiritual state of the writer’s fantasy, but rather a kind of emotion
and temperament, occupying the main theme of the writer’s setting writing a
foot. If we claim that there is a writing myth, it must first be a kind of belief in
myth into a setting of potential theme of endow-meaning analytic method.By
decoding religious symbols and the implied meaning of scriptures, researchers
can not only appreciate the unwinding of “coil” left by writers of painting myth
in mystery film such as“the DaVinci Code”.Moreover, as a professional expert
in Godfather studies, the author of this paper discovered the ancient and
mysterious gnostic speculation in Syrian-Egyptian prototype of “water dream”in
the study of dream literature which crystallized the theme and structure of
myth.This myth structure can be used not only as the principle of literary
theory, as the origin of novel design, but also as the thought call of writing like
dancing.
符号学与巫术日益成为解读与“梦”和“幻想”相关的艺术本文的钥匙。这与作为世界文艺理论运动之一的符号学运动的勃兴与纵深发展密不可分。研究发现,具有犹太教宗教倾向的作家尤其偏爱设计写作与宗教符号及其神话寓意解经法有关的故事和叙事,这一点与其说是与作家的幻想的精神状态有关,不如说是一种情绪与气质占据了作家写作发轫的思想主旋律。如果我们声称存在一种写作神话,那一定首先是一种对神话的信仰化为了一种潜在主题的赋经解析法的设置。通过解码宗教符号与经文寓意,研究者不仅能领略到作家如“达芬奇密码”电影中留下解开画谜的线团的解开之妙;而且作为一个专业的教父学的专家,论文的撰写者在对结晶了神话主题与结构的梦幻文学创作的研究中发现了古老而神秘的“水梦”的埃及—叙利亚类型诺斯替思辨。这一神话结构不仅可以作为文论的原理,作为小说设计的原点,还可以作为舞蹈性写作的思维召唤。