国际中文开源期刊平台

公共批评的自我面貌：“艺术新感受力”的新阐释学

Self Face in Public Criticism：New Hermeneutics of “Against Interpretation”and “Artistic Sensibility”:Gnostic New Interpretations on Sontag’s Against Interpretation

社会科学进展 / 2020,2(6)：352-372 / 2020-12-29 541 569

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• 作者： 张艺     
• 单位：

  南京理工大学，南京

• 关键词： 苏珊·桑塔格；公共批评 ；《反对阐释》；灵知主义；新阐释学
• Susan Sontag;public criticism; Against Interpretation; Gnosticism; New Hermeneutics
• 摘要： 美国作家苏珊·桑塔格因其在公共批评中彰显出的“锋芒”与“洞见”被誉为“西方最智慧的女人”。首部批评文集《反对阐释》即奠定了她作为美国当代甚至是西方当代“文化风向标”的文化地位。作为一位宣称“力避自传性写作”的作家，其公共批评真的是力避自传性的吗？表面看，她的写作发轫于公共性批判；但是，当我们对其《反对阐释》的文本生成机制进行“灵知”阐释，就会发现，在其公共批评背后，藏蕴“自性”思索：对“自我”的建构及对“神性”与“智性”之间“真我”的“矫揉造作”，实际上推动她在写作的“人格面具”下形成其独特的“自我面貌”。认识不到会带来对其创作权威性的质疑、接受的隔膜和批评的误解；本论文即是要深入挖掘与澄清她的艺术批评发生的语境与动机，并且在此基础上阐明，桑塔格艺术革新之作《反对阐释》文本构建的深意。
• American female writer Susan Sontag is praised as“the most sapiential woman in the West” for her sharpness and thoughtfulness in public criticism.Her first critic collection Against Interpretation has established her position as “culture vane”in contemporary and even western society.As a writer who claims to avoid autobiographical writing, has her public criticism really avoid autobiographical writing?She seems to get promotions in the field of public criticism.In fact,when we have Gnostic interpretations of the mechanism of textual formation of Against Interpretation,we do find self torment behind public voices while her construction of self and her self camp in between Gnosticism and serious philosophy actually push her form unique self face under persona.Without realizing these points,we should query her authority and should come across dissepiment of reception and misunderstanding of critique.This article is to solve this problem in excavating and explicating the context and intension of how this critical works take place.
• DOI： https://doi.org/10.35534/pss.0206030
• 引用： 张艺．公共批评的自我面貌：“艺术新感受力”的新阐释学——苏珊·桑塔格《反对阐释》之“灵 知主义”阐释［J］．社会科学进展，2020，2（6）：352-372． https://doi.org/10.35534/pss.0206030