International Open Access Journal Platform

浅析中日韩三国影视作品创作题材的共性与个性

A Brief Analysis of the Commonness and Individuality of the Film and Television Works of China, Japan and South Korea

Progress in Social Sciences / 2021,3(5): 483-515 / 2021-11-02 3460 980

View Download PDF

• Authors: 蔡政忠¹ 林琪祯² 李佩璇¹ 黄雨晴¹ 黄心怡² 梁成琳²
• Information:

  1．莆田学院医疗健康产业管理系，莆田；
  2．莆田学院外国语学院日语专业，莆田

• Keywords:
  Visual anthropology; Japanese drama; Korean drama; Domestic drama; Popular drama
  影视人类学; 日剧; 韩剧; 国产; 热播
• Abstract: Visual anthropology once mentioned that social ideological trend is a kind of ideological or behavioral tendency that reflects people’s extensive influence on life in a specific environment. The reasons why contemporary popular film and television dramas can become the mainstream at present are various. Sometimes a whirlwind can arise in a short time through commercial interests and media hype. However, most of the highly praised film and television works are often screened and eliminated through time. Film and television dramas with high praise and high broadcasting rate can be regarded as representing the majority of the ideas of the people in the country, Throughthe popularization and digitization of the media, with the voice of film and television media thought dramatists who can represent the resonance of contemporary ideas, and finally supplemented by the common participation, praise forwarding and enthusiastic support of the people in film and television media. Therefore, the key to the formation of social thoughts in contemporary film and television media. To study the social thoughts referred to by popular film and television works in a specific period, we should not only investigate the social psychological trends in that period, but also study various social ideology. Social trends of thought are the common reflection of civil society and also the “barometer” of social climate. Representative works of film and television media will definitely appear in each period. This is the product of the inevitability of the times. A popular film and television work representing the country in certain times often reflects the ideological and theoretical level of the nation. This essay attempts to make a cross-cultural study from the film and television works of Chinese, Japanese and Korean. Snooping the mainstream consciousness of civil society and ideological value of spiritual civilization from contemporary popular film and television works. 影视人类学曾提到社会思潮是反映特定环境中人们的某种对生活有广泛影响的思想趋势或行为倾向。当代热播影视剧之所以能成为时下的主流，其形成的原 因是多种多样的，有时是透过商业利益、媒体炒作可在短时间之内兴起一股旋风，但是大多好评的影视作品往往都经过时间的筛选淘汰，高好评、高点播率的影视剧可视为代表该国民众的多数想法，透过传播媒介的大众化、数码化，搭配能代表当代思想共鸣的影视媒体思想剧作家的发声，最后辅以人民大众在影视 媒体的共同参与、好评转发和热情拥护，因此促成当代影视媒体社会思潮能否形成的关键。要研究某一特定时期影视热播作品所影射的社会思想，既要考察 该时期的社会心理动向，也要研究各种社会意识形态，社会思潮是市民社会遍存在的共同反映，也是社会气候的“晴雨表”。每一时期肯定会出现影视媒体的代表作品，这是时代必然性的产物，一个代表该国家在一定时代里的热播影视作品，常常反映了该民族的思想和理论水平。本文尝试从中、日、韩三国影视作品进行跨文化研究，从当代热播影视作品窥探市民社会主流意识与精神文明的思想价值。
• DOI: https://doi.org/10.35534/pss.0305039
• Cite: 蔡政忠，林琪祯，李佩璇，等．浅析中日韩三国影视作品创作题材的共性与个性［J］．社会科学进展，2021，3（5）：483-515．