Keywords:
Visual anthropology; Japanese drama; Korean drama; Domestic drama; Popular drama
影视人类学;日剧;韩剧;国产;热播
Abstract:
Visual anthropology once mentioned that social ideological trend
is a kind of ideological or behavioral tendency that reflects people’s extensive
influence on life in a specific environment. The reasons why contemporary
popular film and television dramas can become the mainstream at present are
various. Sometimes a whirlwind can arise in a short time through commercial
interests and media hype. However, most of the highly praised film and
television works are often screened and eliminated through time. Film and
television dramas with high praise and high broadcasting rate can be regarded
as representing the majority of the ideas of the people in the country, Throughthe popularization and digitization of the media, with the voice of film and
television media thought dramatists who can represent the resonance of
contemporary ideas, and finally supplemented by the common participation,
praise forwarding and enthusiastic support of the people in film and television
media. Therefore, the key to the formation of social thoughts in contemporary
film and television media. To study the social thoughts referred to by popular
film and television works in a specific period, we should not only investigate
the social psychological trends in that period, but also study various social
ideology. Social trends of thought are the common reflection of civil society
and also the “barometer” of social climate. Representative works of film and
television media will definitely appear in each period. This is the product of the
inevitability of the times. A popular film and television work representing the
country in certain times often reflects the ideological and theoretical level of
the nation. This essay attempts to make a cross-cultural study from the film and
television works of Chinese, Japanese and Korean. Snooping the mainstream
consciousness of civil society and ideological value of spiritual civilization from
contemporary popular film and television works.
影视人类学曾提到社会思潮是反映特定环境中人们的某种对生活有广泛影响的思想趋势或行为倾向。当代热播影视剧之所以能成为时下的主流,其形成的原
因是多种多样的,有时是透过商业利益、媒体炒作可在短时间之内兴起一股旋风,但是大多好评的影视作品往往都经过时间的筛选淘汰,高好评、高点播率的影视剧可视为代表该国民众的多数想法,透过传播媒介的大众化、数码化,搭配能代表当代思想共鸣的影视媒体思想剧作家的发声,最后辅以人民大众在影视
媒体的共同参与、好评转发和热情拥护,因此促成当代影视媒体社会思潮能否形成的关键。要研究某一特定时期影视热播作品所影射的社会思想,既要考察
该时期的社会心理动向,也要研究各种社会意识形态,社会思潮是市民社会遍存在的共同反映,也是社会气候的“晴雨表”。每一时期肯定会出现影视媒体的代表作品,这是时代必然性的产物,一个代表该国家在一定时代里的热播影视作品,常常反映了该民族的思想和理论水平。本文尝试从中、日、韩三国影视作品进行跨文化研究,从当代热播影视作品窥探市民社会主流意识与精神文明的思想价值。