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基于后经典叙事学的电影叙事话语分析——以电影《无人知晓》为例

Narrative Discourse Analysis of Nobody Knows from Perspective of Post-classical Narratology

Progress in Social Sciences / 2024,6(6): 1347-1351 / 2024-12-19 152 445

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• Authors: 高蕊      段惠琼     
• Information:

  南昌航空大学外国语学院，南昌

• Keywords: Narrative discourse analysis; Postclassical narratology; Nobody Knows 叙事话语分析；后经典叙事；《无人知晓》
• Abstract: Based on post-classical narratology and narrative discourse theory, this paper explores the narrative structure and creative intention of the film Nobody Knows, directed by Hirokazu Koreeda in 2004 from three aspects: narrative time sequence, image symbols and ideology. The article first introduces the development of narratology, distinguishes the difference between classical narratology and post-classical narratology, and points out that post-classical narratology expands the research scope to other media forms. Then, through a specific analysis of Nobody Knows, the implicit social and cultural criticism in the film is revealed. Finally, this paper concludes that a narrative discourse analysis of Nobody Knows helps to gain a deeper understanding of its underlying meaning and implications, providing valuable inspiration for domestic works. 基于后经典叙事学和叙事话语理论，从叙事时序，影像符号和意识形态三个层面探讨是枝裕和于2004年执导的经典电影《无人知晓》的叙事结构和深层含义。文章首先介绍了叙事学的发展历程，区分了经典叙事学与后经典叙事学的区别，指出后经典叙事学将研究范围拓展至其他媒介形式。接着，通过具体分析《无人知晓》，揭示了影片中隐含的社会批判和文化批判。最后，本文总结认为，通过对《无人知晓》的叙事话语分析，可以更好地理解其深层含义，为国内文娱作品创作提供借鉴。
• DOI: https://doi.org/10.35534/pss.0606147
• Cite: 高蕊，段惠琼．基于后经典叙事学的电影叙事话语分析——以电影《无人知晓》为例［J］．社会科学进展，2024，6（6）：1347-1351.