International Open Access Journal Platform

图形—背景理论下中国风物题材日本汉诗的认知诗学解读——以《日人禹域旅游诗注》吴越篇为例

The Cognitive Poetics Interpretation of Japanese Han Poetry on Chinese Scenery Under the Figure-ground Theory —Focus on the Wu-Yue Chapter of Poetry on Travel in China by Japanese Poets

Progress in Social Sciences / 2026,8(2): 59-63 / 2026-02-24 31 19

View Download PDF

• Authors: 梁越 赵莹
• Information:

  天津理工大学语言文化学院，天津

• Keywords:
  Cognitive poetics; The figure-ground theory; Japanese Han poetry; Chinese scenery
  认知诗学; 图形—背景理论; 日本汉诗; 中国风物
• Abstract: Japanese Han poetry constitutes a significant component of Japanese and Sino-Japanese literary studies. Japanese Han poetry featuring Chinese scenery has repeatedly depicted Chinese scenery, highlighting the imagery of Chinese scenery. This study employs the figure-ground theory from a cognitive poetics perspective to interpret the desolate and dilapidated Jinshan Temple of the Japanese dynastic Han poetry, the Cuisuo pavilion amidst clear waters and green mountains of the Japanese Wushan Han poetry, the picturesque West Lake in Japanese Edo-period Han poetry, and the desolate Pudong on a Mid-Autumn night in Japanese post-Meiji Han poetry. It explores the transformative nature of figure-ground relationships within Japanese Han poetry, tests the applicability of the figureground theory to interpreting Japanese Han poetry, and offers a new perspective for studying classical literary texts, including Japanese Han poetry. 日本汉诗是日本以及中日文学研究中重要的一部分，中国风物题材的日本汉诗更是多次刻画了中国风景，凸显了中国风物形象。本文从认知诗学的角度，利用图形—背景理论对王朝汉诗中冷清破败的金山寺、五山汉诗中秀水青山的翠锁亭、江户汉诗中如诗如画的西湖、明治以后的汉诗中秋夜冷寂的浦东进行文本解读，探索汉诗中图形—背景的转换性，检验了图形—背景理论对解读日本汉诗的可行性，为日本汉诗在内的古典文学文本研究提供了新视角。
• DOI: https://doi.org/10.35534/pss.0802012 (registering DOI)
• Cite: 梁越，赵莹．图形—背景理论下中国风物题材日本汉诗的认知诗学解读——以《日人禹域旅游诗注》吴越篇为例［J］．社会科学进展，2026，8（2）：59-63.