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Progress in Social Sciences

ISSN Print:2664-6943
ISSN Online:2664-6951
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从初唐四家到颜柳:唐代楷书的成熟与风格演变

From the Four Great Calligraphers of Early Tang to Yan Zhenqing and Liu Gongquan: The Maturity and Stylistic Evolution of Regular Script in the Tang Dynasty

苏皓琛

Progress in Social Sciences / 2026,8(6): 483-487 / 2026-06-11 look18 look13
  • Information:
    江苏师范大学历史文化与旅游学院,徐州
  • Keywords:
    Tang Dynasty; Regular script; Four Great Calligraphers of Early Tang; Stylistic evolution
    唐代; 楷书; 初唐四家; 风格演变
  • Abstract: As the pinnacle of Chinese calligraphic art,Over nearly three hundred years, regular script of the Tang Dynasty completed a full evolution from the integration of Northern and Southern styles to the maturity of individual expression.. Under the demand for order in the unified empire, the Four Great Calligraphers of Early Tang established the system of regular script norms, laying the foundation for the “beauty of standardization” of Tang regular script. Yan Zhenqing of the High Tang Dynasty injected the spirit of the times and personal emotions into the established norms, achieving the first essential breakthrough in Tang regular script. Liu Gongquan of the Mid Tang Dynasty, building on Yan Zhenqing’s achievements, created the “Liu Style”, which finalized the “moral integrity and strength” of Tang regular script and formed the pattern of “Yan’s sinew and Liu’s bone”. The stylistic evolution of Tang regular script was not isolated, but driven by three factors: the spirit of the times, imperial advocacy, and the individuality of calligraphers. The history of the development of Tang regular script from the Four Great Calligraphers of Early Tang to Yan and Liu reflects the aesthetic trajectory of Tang calligraphy: “emphasizing norms—emphasizing expression—upholding orthodoxy”. 唐代楷书作为中国书法艺术的巅峰成就,历经近三百年发展,完成了从南北书风整合到个性风格成熟的完整演进。初唐四家在大一统帝国的秩序需求下建立楷书法度体系,奠定了唐楷的“规范之美”;盛唐的颜真卿在法度基础上注入时代精神与个人情感,完成了唐楷的第一次本质性突破;中唐的柳公权在颜真卿基础上,创造出“柳体”,使唐楷完成“风骨定型”,形成“颜筋柳骨”的格局。唐楷的风格的演变并非孤立,而是由时代精神、帝王倡导和书家个性三方面驱动的结果。从初唐四家到颜柳的唐代楷书发展史,印证了唐代书法“尚法—尚意—守正”的美学轨迹。
  • DOI: 10.35534/pss.0806085 (registering DOI)
  • Cite: 苏皓琛.从初唐四家到颜柳:唐代楷书的成熟与风格演变[J].社会科学进展,2026,8(6):483-487.
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