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刘兰芳评书——表演大师的美学在场

Pingshu Art of Liu Lanfang —The Presence of Performing Artist

Progress in Social Sciences / 2021,3(6): - / 2021-12-27 406 572

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• Authors: 刘宏飞 高亚楠
• Information:

  辽宁大学，沈阳

• Keywords:
  Pingshu performance; Image; Aesthetic creation
  评书表演; 意象; 审美创造
• Abstract: This paper studies the performing art of pingshu from the aesthetic level, and analyzes its dynamic aesthetic creation process. Through the intuition and image of “pingshu performance”, and the aesthetic and creation, the complete form and presence of the aesthetic image of the performing art are finally completed. Among them, the “imagery” is different from the “appearance” or the “sensory image” of the object, and it contains the “aesthetic imagery” of the experience and the imagination. In the art of pingshu, the artistic image accepted by the audience is the product of the aesthetic creation activities of pingshu artists.Its performance aesthetic characteristics also appear among them. 本文从美学层面对评书这一表演艺术进行研究，剖析其动态的审美创造过程。通过对“评书表演”的直觉和形象地把握，并予以审美和创造，最终完成表演艺术审美意象的完形和在场呈现。其中“意象”不同于对象的“表象”或“感觉形象”，它包含了体验和想象的“审美意象”。在评书艺术中，观众所接受的艺术形象是评书艺术家审美创造活动的产物。其表演美学特征也显现其中。
• DOI: https://doi.org/10.35534/pss.0305047
• Cite: 刘宏飞，高亚楠．刘兰芳评书——表演大师的美学在场［J］．社会科学进展，2021，3（6）：577-581．